Edited by Robert Beach
Well, May is almost over. The thermometer is headed skyward, and blockbuster movies are hitting the multiplex. It all adds up to one thing: Summer is officially here. For comic nerds, the arrival of Summer is more or less synonymous with the arrival of event comics, the massive cross-universe stories smashing heroes together and reshaping continuity as we know it for about 9 months till the next one.
Well, May is almost over. The thermometer is headed skyward, and blockbuster movies are hitting the multiplex. It all adds up to one thing: Summer is officially here. For comic nerds, the arrival of Summer is more or less synonymous with the arrival of event comics, the massive cross-universe stories smashing heroes together and reshaping continuity as we know it for about 9 months till the next one.
Obnoxious and overused as they are, event comics are basically just a force of nature in comics, which makes our relationship with them a little complicated. While endless retcons and shock deaths are certainly tedious staples of the event comic, fans have become so inundated with them we’ve come to appreciate the subtle differences between garbage event books like Fear Itself and the at least interesting ones like Secret Wars (2015).
For DC, their event comic this year is called DC Rebirth, a universe-reshaping retcon comic that’s already been spoiled. However, I’m not here to discuss those spoilers, but rather a sister comic to DC Rebirth. The actual plot of DC Rebirth is all about what happens to heroes who’ve been rendered non-canon by the events of a reality-reshaping crisis, a concept that was also explored by one of the greatest comics of all time Doctor 13: Architecture & Mortality, by Brian Azzarello and Cliff Chiang.



