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Today marks the return of Brooklyn 99, probably the last show we’re going to get for a long while that tries to be a cop comedy. All things considered, Brooklyn 99 is a lot better than you’d probably expect from a show trying to sell the audience on a group of goofy, fun-loving cops but I really don’t think anyone else would be able to pull off what it does. The bottom line is that in an age of seemingly endless and incredibly public police atrocities getting an audience to find police work “funny” has gone from entertainment bread and butter to a herculean task.
Seriously though, cop comedy used to be a major moneymaking genre with massive franchises like Police Academy and Beverly Hills Cop. The whole thing was so big through the ‘80s that things started to get pretty weird in the ‘90s to try and find new avenues for it. In particular, 1989-1992 was a great time for just completely bonkers cop comedy genre fusion and as exhibit A in that case, I would present Cop Rock, the musical cop show.





