Universal Announces Classic Monster Shared Universe

If you liked this article, please like us on Facebook or follow us on Twitter and please consider Donating to keep the blog going

As a long time fan of shared universes and continuity, there’s a big part of me that wonder show this moment of popularity for those things will look once it’s passed into history.  Obviously, that’s assuming any trend can truly pass away anymore instead of simply going into extended hibernation, but by the same token, the young adult film boom of the mid-2010s seems to have thoroughly wound down, so I guess we’ll see.  

One thing seems fairly sure, most of the shared universes of the day will probably be looked back on with awkward disinterest or surprise, and none among them will garner such a response the same way I suspect the Universal Movie Monster-Verse will. 

In case you hadn’t heard, Universal has decided to revive the brands on their classic monster movies of the ‘30s and ‘40s to act as a new shared universe, which makes sense given the original films also acted as a shared universe.  These new films will be kicked off by this summer’s The Mummy and are being managed by Roberto Orci and Alex Kurtzman- two of the biggest hacks working in Hollywood right now behind such atrocities as Transformers, Amazing Spider-Man 2, and the worst parts of the Star Trek reboot.  

Previously Universal had done a good job keeping this whole idea out of focus but as The Mummy nears and they start worrying about getting the hype machine going they’ve produce a big publicity spread to get people like me talking about it so, yeah; let’s talk about Universal’s Dark Universe.  

The Mummy Trailer Breakdown

If you liked this article, please like us on Facebook or follow us on Twitter and please consider Donating to keep the blog going

Let’s talk for a second about “cinematic universes.”  The idea of cinematic universes is a pretty new concept for most general audiences, but it actually finds its origins with the so-called Universal Monster Cycle.  

This was a collection of films produced in the ‘30s and ‘40s by Universal Studios and are considered the first major horror hits of the talking picture era.  Basically, our universally held conceptions of Frankenstein, Dracula, the Mummy, the Wolfman all come from these movies, and they all ended up sharing continuity with each other. 

The big reason for this was that aside from being owned by the same studio, each of the monster movies had a unique style while still fitting together as a cohesive whole.  That’s always been the secret of the cinematic universe, and now, 85 years later, Universal seems to have forgotten it as they return to this particular well with 2017’s The Mummy.

Pirates of the Caribbean 5 Trailer Breakdown

If you liked this article, please like us on Facebook or follow us on Twitter and please consider Donating to keep the blog going

There is no more peculiar Hollywood property persisting into the present day than the Pirates of the Caribbean franchise.  The series was one of the few standout blockbusters of the 2000s, making a ton of money with its initial trilogy and actually turning out three decent films.  However, it’s been nine years since World’s End, nine long years of bad Jack Sparrow impressions, terrible Johnny Depp flops, and an evolving blockbuster landscape that has quickly left the Pirates movies in the past. 

Their single attempt to keep up with the times was Stranger Tides in 2011, which turned out to be the worst film of the series and did nothing to delay the series slide into irrelevancy.  Now, Disney aims to bring the series, and Johnny Depp’s viability as a blockbuster draw, back from the dead with Pirates of the Caribbean: Dead Men Tell No Tales.

Alice Through The Looking Glass Trailer

One of the weird things about the late 2000s trend of up-jumping classic fairy tales, seminal works of literature we all know from childhood, and even bible stories and myths into fantasy blockbusters is that very few of these films have actually been successful.  Sure, we’ve cranked out film after film in this genre like Mirror Mirror, Jack the Giant Slayer, Pan, Hansel & Gretel: Witchhunters, Exodus: Gods and Kings, Dracula Untold, Hercules and countless more but for the most part they’ve all been total failures, regardless of actual quality.  That same disclaimer, regardless of quality, applies to the smattering of financial success within the genre, almost all of which seem to come from the pop culture warriors at Disney. 

To some extent it makes sense that Disney are the folks making the most money on easily accessible revisions to classic fairy tales, myths, and literature given that’s been their bread and butter since before World War 2.  At the same time however, Disney did more than anyone to launch this particular trend with the 2010 mega-hit Alice in Wonderland, which ended up the 2^nd highest grossing film of the year, beating out competitors like Harry Potter 7 and Twilight: Eclipse.  Now, Disney returns to the Alice well 6 years later with a sequel minus Tim Burton entitled Alice Through The Looking Glass.