Panel Vision - Giant-Sized Man-Thing #4

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So, as I write this one of the big cultural deals of the moment is a new Netflix series called 13 Reasons Why.  It’s a teenage melodrama revolving around the suicide of a young woman and the collection of cassette tapes she left behind explaining her 13 reasons why.  It’s gotten quite a bit of controversy, mostly from groups of actual experts on suicide prevention who are mad that the show misrepresents the actual circumstances that can lead to suicide as well as prevents a graphic depiction of the act itself.  

However, being a massive geek, this format of gritty high school realism, post-mortem messages to the living, and deconstructing the performance grief mandated in the wake of a tragedy reminded me of one of the best forgotten comic stories of all time.  Coming to us from way back in 1975, it’s an extra-long comic story under the name of The Kid’s Night Out, courtesy of one of the greatest comic book authors of all time alongside his most underrated creation- Steve Gerber’s Man-Thing. 

Film Adaptation of The Monolith Announced

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Edited by Robert Beach

Oh, good, a superhero film announcement colored by questions about copyright ownership. This is going to be a fun one. So, Lionsgate Pictures has announced they’re adapting the 12-issue maxiseries The Monolith, written by Justin Gray and Jimmy Palmiotti with art by Phil Winslade, Tomm Coker, and Peter Snejberg. Fans of the comic (they are out there even if The Monolith was never the same monster success as Palmiotti’s Jonah Hex or Harley Quinn work) rejoiced that the story of a super Golem on the streets of New York would be adapted to the big screen. 

However, the studio announcement also brought questions as DC Comics, who are owned by Warner Brothers, published The Monolith.  but Lionsgate, a competitor, is making the film. Well, strap right in, and we’ll dive down the bizarre hole of ownership, modern creator rights, and why Monolith is something you should actually care about.