Week of Review - Apt Pupil (1998)

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I want to be upfront here; I went into Apt Pupil with “they can’t all be winners” mentality.  I’m aware that digging through forgotten C-list cinema is by no means a sure thing and there’s every chance that among the genuine gems like Needful Things and The Mangler you’re going to come upon stuff that’s problematic or dated like Thinner.  However, I was in no way prepared for just how terrible Apt Pupil was going to be, this movie makes Thinner look like The Shining.  

It’s a film that I fully expected to be dated, tasteless, problematic, uncomfortable and more and while it was absolutely all of those things it was somehow so much less as well. 

It’s a bad movie I’m kind of shocked we ever stopped talking about yet also completely unsurprised it’s been swallowed up by the dust bin of history and banished by its own mediocrity.  I mean, when you’ve got a movie about a teen boy sociopath who forms an unsettling relationship with an old Nazi and it’s directed by Bryan Singer the last thing you expect it to be is so damn boring. 

Week of Review - Graveyard Shift (1990)

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So far in this Week of Review, all the King adaptations I’ve looked at have been fairly unique from one another, barring one crossover character.  That’s about to change with this film, Graveyard Shift.  Released in 1990, Graveyard Shift was adapted from a Stephen King short story of the same name, much like The Mangler.  Also much like The Mangler, Graveyard Shift revolves around a series of mysterious deaths in an industrial building that also happens to function as the lifeblood of a small Maine town and there’s an evil owner involved. 

You know, when you lay it all out like this it becomes A LOT clearer why Stephen King adaptations would more or less flame out hard in 1995 and not really recover till 2013.  Even accepting that The Mangler and Graveyard Shift are actually very different kinds of movies with unique approaches to horror the outward similarities are a little hard to overcome.  Of course the biggest difference, and this is a tough one to avoid, is that Graveyard Shift isn’t nearly as good as The Mangler.

Panel Vision - Art of the Prank

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It’s April Fool’s Day, which usually means a day of disbelieving anything you see on the Internet but I’ve elected to celebrate the holiday a different way.  Rather than a fake review I’m looking back at one of my favorite super villains of all time through the lens of one of his few starring roles: Oswald Loomis- The Prankster.  Created in 1942 by Jerry Siegel and John Sikela, Prankster is one of the few non-powered villains in Superman’s rogues gallery and a proud member of the joke-themed villain cadre alongside the likes of The Trickster and the Joker. 

He’s been through a number of iterations, starting off as a cartoonishly fat character who’d go after Superman using deadly practical jokes and gags.  He also got somewhat re-imagined for the New 52 era but neither of those are the Prankster I’ve chosen to focus on today.  No, instead I’ll be looking at the Prankster of Superman #660 from 2007, written by Kurt Busiek with art by Mike Manley and Bret Belvins, color by Lee Loughridge, and letters by Rob Leigh. 

Week of Review - Needful Things (1993)

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One of the odd things about Stephen King’s work is that he’s arguably one of the most successful literary authors to dip his toes in the realm of continuity.  If you’ve been living under a rock for the past decade, what I mean by continuity is the idea that characters, events, and elements of a world are consistent across multiple stories that aren’t necessary sequels to each other.  Marvel Studios has more or less made their bread and butter with continuity, trusting that story elements like SHIELD or the Infinity Stones can appear in Thor 2 or Incredible Hulk and audiences will know and accept these films as being in the same universe.  

This has long been the case in comic books but it’s rare in literary circles, mainly because connected books tend to just be sequels but that’s definitely not the case with King.  He’s concocted a vast web of interconnecting books that are in no way framed as sequels to each other, mainly through shared geography of fictional Maine towns.  Stories like IT, Tommyknockers, The Dead Zone, Stand By Me, Shawshank Redemption, Cujo all take place in the same fictional Maine county with its core being the town of Castle Rock, and in 1993 Castle Rock finally got its starring horror movie story in Needful Things.

Week of Review - The Dark Half (1993)

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Let’s talk for a minute about George Romero.  Romero is one of the all-time giants of the horror genre, a skilled and storied director most famed for introducing the world to the streamlined vision of zombies that was the “of the Dead” film series.  However, as excellent as that series is (the first four films and the Romero directed remake anyway) the man did a lot of other high-quality work that’s gone unfairly under-appreciated by the public at large such as Monkey Shines or Knight Riders.  

In 1993, Romero decided to dip his toes into the Stephen King pond and turned in one of the best King adaptations of the decade: The Dark Half.  Starring Timothy Hutton and Michael Rooker, The Dark Half is quintessential King viewing, hitting on a number of his favorite tropes and ideas while still realizing them in their best way.  The film also marks the first entry in this retrospective to tie into the Stephen King shared universe of stories, connecting as it does to the fictional town of Castle Rock, Maine.  So, continuity, quality, and a number of name actors and creators who’ve become beloved in their own right- let’s talk about The Dark Half.

Week of Review - The Mangler (1995)

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On to day two of my look back at the forgotten Stephen King adaptations of the ‘90s, today we’ll be taking a look at the Tobe Hooper film The Mangler.  This was one of the last King films of the Golden Age of adaptations, released in 1995 right before the well of adaptive works dried up almost overnight.  It’s actually somewhat staggering the level of King adaptations that cropped up between 1990 and 1995.  Including TV mini-series like IT and The Stand the first half of the ‘90s saw a staggering 12 King adaptations, the same as the entirety of the ‘80s and double the number that was made in the 2000s.  

That’s also part of why these mid-decade adaptations like The Mangler or Thinner started getting into the stranger corners of King’s canon, most of the more cinematic or standard pulp options like Christie, Misery, and The Shining had already been done so they were really scraping the bottom of the barrel with stuff about Romani weight loss curses or an evil industrial ironing machine from hell.  However, don’t let the goofier subject matter fool you because The Mangler is easily one of the best King adaptations this decade produced. 

Cover Story - Top 12 John Constantine Covers

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This is actually an article I was planning to do last October but that turned out to be a busy month.  That’s sort of the thing about Legends of Tomorrow, it’s a delight of a show with a ton of deep cut geeky heroes but it can be hard to keep up with how often they feature characters that could demand a whole number of articles, reviews, and lists.  Today we gather to celebrate John Constantine, everyone’s favorite blonde cockney street wizard and trench coat wearer.  

I joke but John is among a handful of mystical and urban fantasy characters at DC, and their adjacent imprint Vertigo Comics, who call themselves The Trench Coat Brigade, so just know that’s where we’re starting from with this dive into the top 12 Constantine comic covers.  I’ll be drawing from John’s first solo comic entitled Hellblazer, which began life as part of DC’s mature readers imprint Vertigo Comics and ended after 300 issues when they decided to import John to the main DC universe.  That’s a lot of titles to get through so let’s get down to it and get the cover story on the top 12 John Constantine comic covers.

Week of Review - Thinner (1996)

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A week from today will mark the premiere of a new remake of the Stephen King classic Pet Sematary.  So far the new film has a lot of positive buzz, which makes sense given we’ve entered into a new Golden Age of Stephen King adaptations.  Seriously between The Mist, Gerald’s Game, Mr. Mercedes, IT, 1922, Dark Tower, 11/22/63, Under the Dome, and Castle Rock Stephen King is undergoing a shocking renaissance of TV and movie adaptations in the 2010s with even more films yet to come.  As such, I’ve decided to look to the past, specifically the ‘90s, as that was the last time Stephen King became the go-to thing to adapt in the horror genre.

However, I’m not planning to look at the big names of King adaptations that have always stuck in people’s memories like Shawshank Redemption, no I’m interested in the weird B and C list adaptations the past has to offer.  After all, there’s really not much left to say about a movie we’ve all agreed is good and should be remember but off-beat oddities that pop culture has collectively turned its back on can be so much more weirdly rewarding and it doesn’t get much more weirdly rewarding than 1996’s Thinner.

Filmland - History of Doppelganger Horror

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By now you’ve probably at least seen an advertisement for Jordan Peele’s sophomore feature Us, though based on the box office a lot of us have seen the film itself as well.  If you haven’t seen it yet don’t worry, no spoilers here, but the film’s focus on evil doppelgangers has definitely got me thinking.  Killer duplicates of oneself is a pretty great horror concept but one rarely explored in the medium as often as ghosts, vampires, werewolves, and various other forms of more widely accepted monsters.  As such, I’ve narrowed down the history of evil doubles in horror movies and TV in order to look back at the premise that’s given us one of the most memorable horror films of the year. 

Panel Vision - 11 Possibilities for Captain Marvel 2

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By this point, the success and sequalization of Marvel films feels almost like a given.  Marvel has gotten so good at making quality movies that manage to thrill us without skimping on characterization that the fact we’ll be seeing these heroes again in new installments is the norm and not the exception.  As such, and combined with its record-breaking success so far, it doesn’t seem too earlier to start speculating about what we can expect from the next entry in the blossoming Captain Marvel franchise.  

The first film has been a major success for Marvel, planting their flag firmly alongside Wonder Woman and Black Panther in the realm of relatively more diverse superhero blockbusters and promising a whole world of potential for the next installment in this new and exciting franchise.  Combined with the extensive collection of comic book history that Carol Danvers and the Captain Mar-Vell brands have been wrapped up in and the recent changes in ownership at Marvel and Disney and there’s plenty of places to take this series next: here are 11 possibilities.