Week in Review - The Stand (1994)

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And so we come to the end of my dive into the Stephen King films of the ‘90s.  Some were a delight, some were bizarre and dated, some were Apt Pupil, but I’ve elected to end this look back with another longtime favorite I had before even embarking on this endeavor: 1994’s The Stand.  Though not technically a movie, The Stand was part of the other wave of King adaptations at the time that arose from the world of TV.  It was a mini-series consisting of 4 episodes released over 5 days in May of 1994.  

It’s a mammoth of a mini-series and one of the four released at the time alongside the original IT, the comedically bad and often maligned Langoliers, and the mostly forgotten Tommyknockers.  As that description probably suggested The Stand is easily the best of the four and definitely deserves a spot as one of the better King adaptations of the ‘90s thanks to its well-composed focus and cast of solid TV mainstays turning in great performances.

Week of Review - Thinner (1996)

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A week from today will mark the premiere of a new remake of the Stephen King classic Pet Sematary.  So far the new film has a lot of positive buzz, which makes sense given we’ve entered into a new Golden Age of Stephen King adaptations.  Seriously between The Mist, Gerald’s Game, Mr. Mercedes, IT, 1922, Dark Tower, 11/22/63, Under the Dome, and Castle Rock Stephen King is undergoing a shocking renaissance of TV and movie adaptations in the 2010s with even more films yet to come.  As such, I’ve decided to look to the past, specifically the ‘90s, as that was the last time Stephen King became the go-to thing to adapt in the horror genre.

However, I’m not planning to look at the big names of King adaptations that have always stuck in people’s memories like Shawshank Redemption, no I’m interested in the weird B and C list adaptations the past has to offer.  After all, there’s really not much left to say about a movie we’ve all agreed is good and should be remember but off-beat oddities that pop culture has collectively turned its back on can be so much more weirdly rewarding and it doesn’t get much more weirdly rewarding than 1996’s Thinner.

Dark Tower Trailer Analysis

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The fantasy genre is one of the most unrewarding parts of blockbuster cinema in the 2010s.  Fantasy has always been a persnickety genre, with a lot of bizarre or subpar elements populating its history, but the 2000s were a better time for it.  Between Lord of the Rings, Harry Potter, Chronicles of Narnia, and Pirates of the Caribbean the 2000s were flush with cool, epic fantasy blockbusters.  

However, since 2011 the genre has undergone a bit of a stumbling block.  The kings of the genre have only managed disappointing prequels like The Hobbit and Fantastic Beasts, while the most continuously successful films on the block are all up-jumped Disney fairy tales. 

There’s something about that which just doesn’t feel right, even if Maleficent, Cinderella, and Jungle Book have all placed in the highest grossing films of the year they just haven’t stuck in the mind or the culture the way 2000s fantasy blockbusters did.  Even in the realms of TV, the influence of Game of Thrones has begun to wobble with nothing really to replace it.  

This has left a prolonged hole in the fantasy genre for new films to set the attitude, stuff like Dr. Strange and Warcraft.  Now, it looks like we’ll have a brand new blockbuster to try and put its stamp on the fantasy genre, the long-awaited adaptation of the classic Steven King dark fantasy series Dark Tower.

Week of Review - 1408

Welcome back to week of review, in which I dedicate 5-8 days to reviewing a collection of films and TV shows relating to a topical subject of my choosing.  5 days from now we’ll see the return of American Horror Story, the hit anthology horror show from FX.  American Horror Story and I have a…complicated relationship to say the least but I at least acknowledge the incredible influence the show has had.  As we speak the amount of anthologies currently in development is pretty staggering and our new found love of anthologies is no doubt partly responsible for the upcoming Goosebumps film.  So given that I’ve decided to produce a Week of Review dedicated to this season of American Horror Story’s theme: Hotels.  I don’t really know why the creators of American Horror Story felt “Hotel” was the perfect confluence of horror trends and American identity to devote an entire season to but thankfully we don't have to understand it, just embrace it.  So to kick things off I’m looking at one of the best and most underrated Stephen King adaptations of all time 1408.