Panel Vision - Fighting Fascism in "Black Terror"

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Edited by Robert Beach 

Well, here we are I suppose: thinking the unthinkable. In case you somehow missed it, Donald Trump is now the President-Elect of the United States. I say President-Elect because I, like most Americans, am still hopeful for some kind of pre-inauguration miracle like a devastating comet or the onset of war, but it’s not a high hope. The real question is shaping up to be “Where do we go from here” now that over half the nation gets to spend at least the next 2 years wondering or not they get to have a country tomorrow. 

Obviously, I’ve never shied away from focusing on politics in these reviews; it’s part of the societal texture through which we ingest media and claiming some “objectivity” to the state of the world is, at best, obstinate denial and, at worse, willfully misleading. What’s more, the whole reason we make art is to impose meaning and narrative onto the randomness that is life, to try and wring some measure of realization out of an all too indifferent universe. Art is how we make the world the way we’d like it to be. With that in mind, let’s talk about Black Terror.

Movie Monthly - Rollerball

Welcome back to Movie Monthly’s celebration of the very thin crossover line between sci-fi and sports this November with a look at all things future, techno, and athletic.  Last  week we looked at Robot Jox, the story of a distant future wherein nations hashed out their disputes through the tried and true method of giant robot fights, this week we’ve got arguably the opposite inverse film with Rollerball, the 1975 dystopian future sports film starring James Caan.  It’s actually kind of amazing how much Rollerball serves as a counter point to Robot Jox; corporations instead of nations, teams instead of individuals, entertainment rather than politics, a well known star with an actual career rather than “that guy from Alien Nation,” a really awful remake in 2002 instead of a reappraisal by nerd culture in recent years, and most key of all: Rollerball was the product of ‘70s pessimistic futurism while Robot Jox was the result of ‘80s blockbuster fun giving way to ‘90s shallowness and polish.