So far, all the future film’s we’ve discussed have followed
along to the idea of a very distant future. The defining aspect of them has been that society, as we
know it, has been completely swept away due to some great calamity and replaced
with a wholly new system of government.
This has mainly acted as a way to up-jump the importance of the
futuristic cyber sports within the world of the film. Most sports movies are fine to let the stakes simply BE
winning or losing a sporting event but in the realms of sci-fi, especially
nerdier sci-fi, it’s weirdly suspected that an audience won’t necessarily
engage with a story unless the stakes are Earth shattering. So, this week we’re changing it up with
a film that’s set in a not too distant future approximation of our world where
the only real change is that we’ve invented fighting bots to take up the act of
boxing and wrestling. I’m speaking
of course of the underappreciated 2011 gem Real
Steel, starring Hugh Jackman.
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Showing posts with label Rollerball. Show all posts
Showing posts with label Rollerball. Show all posts
Monday, November 16, 2015
Monday, November 9, 2015
Movie Monthly - Rollerball
Welcome back to Movie Monthly’s celebration of the very thin
crossover line between sci-fi and sports this November with a look at all
things future, techno, and athletic.
Last week we looked at Robot Jox, the story of a distant future
wherein nations hashed out their disputes through the tried and true method of
giant robot fights, this week we’ve got arguably the opposite inverse film with
Rollerball, the 1975 dystopian future
sports film starring James Caan.
It’s actually kind of amazing how much Rollerball serves as a counter point to Robot Jox; corporations instead of nations, teams instead of
individuals, entertainment rather than politics, a well known star with an
actual career rather than “that guy from Alien
Nation,” a really awful remake in 2002 instead of a reappraisal by nerd
culture in recent years, and most key of all: Rollerball was the product of ‘70s pessimistic futurism while Robot Jox was the result of ‘80s
blockbuster fun giving way to ‘90s shallowness and polish.
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