Filmland - History of Horror & the Apocalypse

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As the fall season comes upon us once more it’s time for that spookiest of traditions: the new season of American Horror Story.  This year’s season will be about something that’s on everyone’s mind lately: the apocalypse.  The end of days is one of those primal fears that’s been with society pretty much ever since there was a society for us to fear the end of.  However, despite being a fairly ubiquitous terror and one that you’d think everyone held a stake in the Apocalypse’s place in the horror pantheon is actually pretty limited.  

Even setting up this timeline I’ve had to fudge want counts as “horror” a bit to include some stuff that’s more schlocky or was featured a lot in the old horrorathons that channels used to show around Halloween when I was a kid.  With that said, I did find enough apocalyptic horror material to create something of a timeline for the genre and how it reflects the anxieties and apocalyptic scenarios of the time.

James Cameron's Terminator 6 Update

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By now you’ve probably heard that James Cameron is returning to the Terminator franchise for yet another installment of this moribund film series.  If you’re wondering how that happened after Terminator Genisys was both terrible and a financial disappointment the answer is the rest of the world.  While the film only made back half its budget in the US it took in 350 million dollars overseas, largely from China, so more Terminator films were pretty much locked in.  However, it’s come up now that this new film, which is being pitched as a reunion flick for Schwarzenegger, Linda Hamilton, and James Cameron, won’t have anything to do with Terminator Genisys. 

That’s because even though ticket sales are important they aren’t the ultimate qualifier of the franchise age- that would be audience interest.  The way online engagement in fictional universe translates into coverage and speculation as a kind of free publicity and hype is what now drives the box office world, that’s why Marvel is still king, and Genisys did not manage to win anyone’s hearts or minds.  So, with the slate wiped clean and the franchise beginning again for its third attempt at a new trilogy what can we expect from the new Terminator? 

Netflix' Punisher Gets Full Trailer

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I don’t think it’d be unfair to say that it’s been a difficult year for Marvel Netflix.  First, there was the costly disaster of Iron Fist, then the shocking news that Marvel would be relocating its streaming rights to a Disney-centric new platform, and finally the very disappointing Defenders, which no one really tuned in for.  A lot has gone wrong or Marvel’s streaming service division, continuing the theme of Marvel having a lot of trouble finding lasting success outside the cinematic arena.  However, the year isn’t fully over yet and the house of ideas has one last release up their sleeves- The Punisher. 

Introduced to the MCU in 2016’s mixed bag of Daredevil season 2, Jon Bernthal’s Punisher is one of the real standouts of Marvel’s Netflix foray alongside season 1’s Kingpin and Krysten Ritter’s Jessica Jones.  He pretty much single-handedly made Daredevil season 2 worth watching so his solo series has been long in the anticipation, especially given the cult status afforded to Frank Castle’s previous adaptation Punisher: Warzone.  Now, we finally have our first real look at the upcoming series and boy does it leave one wanting. 

Extended Toy Box - Aliens (1992-1998)

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It’s become something of a cliché now to point out how, when it premiered, Star Wars changed everything, but it really did.  The ramifications of Star Wars as a film and, more importantly here, a multimedia phenomenon are still being felt today.  One of the biggest changes brought about Star Wars was a complete revamp to the way toys are created and sold.  Before this moment toys tended to exist as unique entities.  There were a handful of tie-in toys but for the most part toy “franchises” stayed confined to the medium of toys.  With the advent of Star Wars, suddenly franchised toys were big business, and Reagan’s deregulation of the FCC’s rules about advertising led to even more through TV shows built as ads for the toys. 

This was the first time something called ‘structured play’ entered the realm of American toy production, where the idea was that toys weren’t just for the imagination, but they were coming with a prebaked story and universe that informed them.  As such, when toy companies in the ‘80s and ‘90s wanted to keep selling new action figures from Terminator or Predator after the original film ended they needed to come up with new stories to base the new toys around.  

This series of events led to a ton of various toy lines at the time acting as the first expanded universe for the various franchise, the first place officially licensed new stories emerged even if it was just in the form of commercials or on the back of the packaging.  In this series, Extended Toy Box, I’m going to take a closer look at these franchises as well as occasionally touching on toys in general.  With all that said, let’s look at one of the best examples of this with Aliens.

Matrix Prequel About Young Morpheus in the Works

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I think it’d be fair to say the 2010s haven’t been a kind decade to Warner Brothers Studios.  To be clear I’m not asking anyone to feel bad for the poor multi-million dollar corporation, it’s just a point of fact that the studio’s been struggling for blockbuster relevance for the last 6 years.  Back in the 2000s, they had big hits like The Matrix, The Dark Knight, Lord of the Rings, and Harry Potter- it was their decade.  However, ever since the last Potter film in 2011 they slipped from the top and never fully made it back.  Dark Knight Rises was a joke when it came out and hasn’t aged well, and their other attempts at superhero cinema have been very much in the same boat. 

What’s more, their Harry Potter and Lord of the Rings prequels have done nothing to take back their market share of the fantasy genre.  Truly, between the Marvel superhero movies and the Disney fairy tale blockbusters, WB has been completely replaced in the two genres it once dominated.  Now, with the decade dwindling and their options limited, WB has elected to return to their first major hit of the 2010s with a prequel to The Matrix. 

Is Deathstroke coming to Justice League & Batman?

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Earlier today Ben Affleck posted a cryptic video on his twitter that seems more or less like a major DCEU confirmation.  The video was a brief clip of the DC Comics super villain and deadly mercenary Deathstroke slowly walking inside some kind of carrier jet and eyeing the camera menacingly.  Many, myself unfortunately included, have taken this to mean that Deathstroke will be included as a villain in 2017’s Justice League movie, the project Affleck is currently involved with. 

What’s more, given that Affleck will also be directing DC’s upcoming Batman solo feature there’s the strong chance Deathstroke will be going head-to-head with the dark knight in his next stand alone film.  While all of this is still steeped in speculation and rumor it’s certainly gotten people talking and raised a number of major questions about what this could mean for the still uncertain DCEU. 

Independence Day: Resurgence 2nd Trailer Breakdown

Edited by Robert Beach 

One of the weird trends of the 2010s has been a, let us say, complicated relationship with the pop cultural touchstones of the 1990s. To be clear, I don’t think anyone really has complicated feelings about revisiting the actual content produced in the ‘90s.  Ask any given 20-something and they’ll undoubtedly talk your ear off about how amazing Animaniacs or Power Rangers was. Even today’s subject, Independence Day, still commands a tidal wave of affection from the ‘90s kids who grew up watching it on TNT. I know because I’m one of them. 

No, when I say complicated, I mean in terms of how much we’d like to actually recreate or continue the various elements of our collective misspent ‘90s youth. Sometimes attempts to perpetuate ‘90s mythos are met with love and success like the ongoing Pokemon phenomena or the massive success of Jurassic World, while other times the only response is disgust and derision like last year’s twin flops of Goosebumps and Terminator Genisys or the X-Files revival. This year seems set to make what could be the definitive statement on the question of audience reaction to ‘90s revivals with the upcoming sequel to Independence Day, which now has a new trailer. 

Static Thoughts - X-Files: Pusher

One of the majorly anticipated events of 2016 is the return of the X-Files, a genre show from the ‘90s that lasted 9 seasons, 2 movies, and served to dominate the sci-fi landscape in that decade.  Seriously, Star Wars may have been king in the ‘80s and Terminator was an early wonder of the ‘90s but it was X-Files and Star Trek that truly ruled the ‘90s sci-fi conversation and with good reason.  X-Files managed to grow from a ‘90s curiosity revolving around conspiracy theory Americana like big foot and Area 51 into an incredibly tight and well written horror sci-fi series that was the first time cops and the paranormal were combined in the mainstream. 

The entirety of genre TV has been impacted by the X-Files, with some additional points even into mainstream television, like how Breaking Bad creator Vince Gilligan got his start on X-Files.  One of Gilligan’s episodes is my subject for today’s review, a season 3 installment called ‘Pusher’ that revolves around a disaffected sociopath with the power to psychokinetically impose his will on people.  Basically, the titular Pusher is like the first draft version of Kilgrave, the villain of 2015’s hit streaming superhero show Jessica Jones.