One of the majorly anticipated events of 2016 is the return
of the X-Files, a genre show from the
‘90s that lasted 9 seasons, 2 movies, and served to dominate the sci-fi
landscape in that decade.
Seriously, Star Wars may have
been king in the ‘80s and Terminator
was an early wonder of the ‘90s but it was X-Files
and Star Trek that truly ruled the
‘90s sci-fi conversation and with good reason. X-Files managed to
grow from a ‘90s curiosity revolving around conspiracy theory Americana like
big foot and Area 51 into an incredibly tight and well written horror sci-fi
series that was the first time cops and the paranormal were combined in the
mainstream.
The entirety of genre TV has been impacted by the X-Files, with some additional points
even into mainstream television, like how Breaking
Bad creator Vince Gilligan got his start on X-Files. One of
Gilligan’s episodes is my subject for today’s review, a season 3 installment
called ‘Pusher’ that revolves around a disaffected sociopath with the power to
psychokinetically impose his will on people. Basically, the titular Pusher is like the first draft
version of Kilgrave, the villain of 2015’s hit streaming superhero show Jessica Jones.
The curious thing about this episode for me is that I was
technically aware of all these component parts well before now. I’ve known about Zebediah Killgrave,
the Purple Man, from Marvel comics for quite awhile and ‘Pusher’s long been one
of my favorite X-Files episodes due
to how unnerving and shockingly harsh it is. A lot of X-Files
episodes made great use of ambiguous victories and the show is overall
emblazoned with a kind of cynicism that was atypical to the decade that spawned
but ‘Pusher’ always stood out in my memory. A lot of that has to do with the framing of the mind control
at hand and the nature of the episode’s villain, Bob Model AKA Pusher.
Where most X-Files
bad guys, the more cognizant human ones anyway, tended to favor a more
psychotic and unhinged approach to villainy Model is kind of unique due to his
more cat and mouse tactics. Other
episodes like Fire, The Walk, Brand X, or Lazarus have creepy crazy villains
out for revenge or some other psychotic whim but Model is the only X-Files bad guy that’s out for attention
more than anything else. As the
episode unfolds it becomes clearer and clearer he’s a villain cut more from the
cloth of a Batman foe than the standard array of X-Files rogues, someone who hurts and kills people specifically to
taunt the heroes, Agent Mulder in particular.
This makes most of the episode much more of a cat and mouse
game between the Agents and Model than you’d normally get from the X-Files, including some very weird
scenes for the show. For instance,
this episode is one of the only instances where we see the agents actually try
and prosecute one of their suspects when they take Model into custody and are
forced to go through a preliminary hearing. It’s a weird sequence given how often the X-Files would twist and contort excuses
to not have the Agents sit through courtroom antics, they even lampshaded this
in season 1.
It is especially weird to see Agent Mulder take the witness
stand and lay out his theory to a federal judge that Model can psychically will
people into killing themselves.
We’re used to Mulder having more facts than everyone else as the slick,
cool guy of the duo with Scully as more of the audience stand-in but in this
scene it’s very much flipped and Mulder really does come off as crazy as
everyone else keeps saying.
The highlights of the episode are undoubtedly the handful of
sequences when Model uses his abilities to incredibly creepy effect. It helps that his powers are never made
fully clear so we, the audience, are never really sure when someone is safe
from him or not which leads to a great reveal at the end of the 2nd
act when Model compels an officer to have a heart attack. Though the violence of the crimes is
creepy what really makes the whole thing deeply unsettling is the lead
performance by Robert Wisden as Model.
The only thing we know about Model’s power is that his voice is tied to
his abilities, which gives Wisden plenty of chances to eerily monologue in this
flat affect as he talks people into committing horrible acts of violence upon
themselves and others.
The X-Files was
always top notch when it came to villain casting and Gilligan nails the writing
for Model’s character even though a lot of his key traits are established
through exposition. That’s one of
the many little cheats X-Files tended
to finagle, using Mulder’s role as a behavioral psychologist and the trend for
profilers at the time to excuse the agents blatantly stating the villain’s
character motivations. It’s a
cheap trick certainly but when coupled with a strong performance there’s no
denying its effectiveness. The
episode describes Model as a little man who saw his tumor as his one chance to
feel big and you believe it with every petty action he takes and the way he
relishes the attention he’s called down on himself.
Getting back to the Jessica
Jones comparison, obviously Kilgrave and Model aren’t exactly the same type
of villain but they’re on harmony if not melody. The big difference is intent and framing more than anything
else, simply put Model isn’t meant to represent anything more than a threat for
the episode. He’s a very well
realized and terrifying threat but that’s all he is as opposed to Kilgrave, who
exists as a sort of calcification of casual sexism, entitlement, and rape
culture. Kilgrave is definitely
the more fascinating character to dissect but, in a funny sort of way, he’s the
more appealing character too, mainly due to the casual nature of his abilities
compared to Model.
I maintain that Kilgrave’s creepiest quality is how mundane
his evil actually is, to the point of being creepily desirable in a lot of ways. Every time he commands someone its out
of impulse and base emotions, safe in the knowledge he can do whatever he wants
to whoever he wants and suffer no consequences but at the same time he’s not
overtly sadistic either.
Kilgrave’s whole identity and power is based around his own laziness
more than anything else, empathy would require too much effort from him but so
would sadism.
Model, on the other hand, is decidedly sadistic in his
actions mainly because his powers require so much more effort. When Model compels someone to set
themselves on fire or causes a heart attack he can’t just say the suggestion,
he needs to slowly and coercively talk the person through his demand. As mentioned it’s an eerie scene and a
big part of that is how much visible effort he’s putting into horribly
mutilating and killing people.
Aside from both being sociopathic egocentric bastards the
other big overlap between the characters is how unsettling the aftermath of
their actions even when it’s not the result of self inflicted wounds. Early on in the episode Model compels
an officer whose captured him to drive in front of a truck before forcing the
man to release him even as the officer bled to death.
This scene, of all Model’s cruelties, always stuck with me
as the sickest and creepiest, because of just how much he views this officer as
not a person. It really helps that
the scene isn’t actually shown, we just hear about it second hand, which forces
your brain to fill in just enough blanks to realize how sick and twisted the
scenario is. It’s especially
sickening that the officer in question could’ve survived if Model hadn’t used
him up like an old rag.
Kilgrave actually has an extremely similar moment in Jessica Jones, in episode 2 when Jessica
visits a paramedic who was one of Kilgrave’s victims. He’s not dead but he’s suffered a severely debilitating stroke
after Kilgrave compelled him to give up both his kidneys. It’s eventually made clear that
Kilgrave didn’t actually need both kidneys, he could’ve just taken one and
survived, but chose both because well, why wouldn’t he? Even though that decision follows
Kilgrave’s pattern of self-indulgence and satisfaction with “other people” as
little more than obstacles to his own gratification it’s still extremely chilling
because of how little he considers the aftermath of his events.
The paramedic is left barely able to move, completely unable
to feed himself or speak, and the only thing he manages to convey to Jessica is
a desperate plea for her to kill him.
The whole scene works off the same sickening unnerving nature as Model’s
act only in reverse, it’s creepy because Kilgrave DIDN’T kill the paramedic,
didn’t think enough of the guy to consider what his life would be like after he
was done with him.
One of the fundamental keys to horror is inhumanity being
somehow forced upon the audience and these two acts, though motivated by
thoroughly different characters, perfectly embody the idea of forced
dehumanization in the most complete and devastating way possible. I doubt Jessica Jones creator Melissa Rosenberg specifically set out to
draw from this episode of the X-Files
but it’s certainly striking how similar the two are and how well they tap into
one of the most primal and universal fears of dehumanization. Between the two, Jessica Jones is a lot more
nourishing given how well it touches on broader subjects but ‘Pusher’ is
still very much worth your watch as an exploration of similar emotions through
a more compact and lurid lens.
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