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Edited by Robert Beach
It’s been a strange year for DC Entertainment. After the unmitigated disaster of Batman v. Superman: Dawn of Justice, as you can see through its underperforming at the box office its status as a cultural punching bag, DC has been in a weird swing of damage control. They’ve been doing everything they can to convince people Suicide Squad is a fun and quirky flick instead of another grim and oppressive failure, and there was a major change in the executive forces that control DC Entertainment.
Edited by Robert Beach
It’s been a strange year for DC Entertainment. After the unmitigated disaster of Batman v. Superman: Dawn of Justice, as you can see through its underperforming at the box office its status as a cultural punching bag, DC has been in a weird swing of damage control. They’ve been doing everything they can to convince people Suicide Squad is a fun and quirky flick instead of another grim and oppressive failure, and there was a major change in the executive forces that control DC Entertainment.
Nearly 4 months after Dawn of Justice, DC came into San Diego Comic Con’s Hall H prepared with a major new launch platform and the promise that they could do better. The center piece of their launch at proving their own worth the viability of the DC promise (letting individual creative directors flex their muscles on projects) was the first trailer for 2017’s Wonder Woman. It’s amazing.