Lego Batman Trailer Round-Up

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Edited by Robert Beach

One of the peculiar twists of fate in the modern era of superhero media is that despite DC Comics many, many terrible adaptations in the 2010s, their animated adaptations are incredible.  Seriously, Teen Titans Go is the sharpest superhero satire ever; Young Justice was a milestone hit; Batman: The Brave and the Bold was incredible, and the Green Lantern CGI show almost redeemed the franchise. Now, they’re making a new Adam West animated adventure. 

The real gem in DC’s animated crown, however, has to be Lego Batman, voiced by Will Arnett and ushered into our collective hearts through 2014’s breakout hit The Lego Movie. Arnett is honestly the best Batman of the 2010s, a brutal scathing takedown of the overly macho psycho-thug Batman that dominated the character’s identity from 2008 to about 2013. Now, Lego Batman is getting his movie, and it looks amazing.  

J.K. Simmons Cast As Commissioner Gordon

Edited by Robert Beach 

As March dawns, we must accept the fact that we seem to be barreling head first towards the inevitability that the DC movie universe will 1) be happening and 2) be guided by the unwavering hand of Zack Snyder. Between the pretty terrible kick-off of Man of Steel and the ongoing train wreck that’s been the Dawn of Justice marketing campaign, this hardly seems like a march towards quality than a slow descent into mismanagement and insincerity. 

However, one thing that has consistently buoyed this downward spiral is the presence of top-quality actors in various roles sprinkled across the films. Ben Affleck, Jared Leto, and Jeremy Irons are all Oscar winners for a very good reason. Now, the powers that be at WB have added a fourth Oscar winner to the line up with J.K. Simmons as Commissioner Gordon.

Gotham - Damned If You Do... Review

I give a very angry critique of the truly awful Gotham Season 2 Premiere, check it out over on Front Towards Gamer: http://ftg.operationsupplydrop.org/2015/09/24/gotham-damned-if-you-do-review-tv/

Week of Review - Beware The Batman

And so we come to the end of the first ever Week of Review and the final time Batman was on TV prior to Gotham.  If you’re interested in my thoughts on Gotham I already reviewed the entire first season and will be reviewing the premiere as well all for Front Towards Gamer so just follow the link right here.  For now, however, we’ll be focusing on the shockingly short-lived CGI Batman show from 2013 Beware the Batman.  In 2013 Batman: The Brave and the Bold had been off the air for about 2 years after the disastrous year of 2011.  While 2008 had redefined the superhero landscape 2011 showed that this wasn’t going to be a static game as DC saw its dominate market share slip with the awful Green Lantern and realized that there was legitimate competition thanks to smash hits like Thor and X-Men: First Class. 

More than anything, 2011 was the year that sent DC/WB scurrying back to the safety of the Batman umbrella and confirmed to them the importance of sticking with dark, brooding, quasi-realistic heroes.  By 2013, they’d more or less expended that particular capital in films with Dark Knight Rises concluding the Nolan Batman trilogy the year before so the decision was to pull the lighter and more accessible Green Lantern: The Animated Series and replace it with a dark, brooding new Batman show; Beware the Batman.

 

Week of Review - Birds of Prey

Edited by Robert Beach

Yesterday, I talked about one of DC/WB’s more successful endeavors to preserve their television presence into the 21^st century; today, I’m focusing on a less successful example. Before we discuss Birds of Prey and what I think of it, we’ve got to go back and talk about a little show from 1997 known as Buffy the Vampire Slayer. Buffy the Vampire Slayer took the world by storm in 1997 with its winning combination of genre tropes and aesthetics and girl power. Buffy was the last of the popular genre trinity that had started with Star Trek: The Next Generation in ’89 and been cemented by The X-Files in ’93. 

There had been plenty of genre shows before like the original Star Trek in the ‘60s, 6 Million Dollar Man in the ‘70s, and V in the ‘80s, but these three shows demonstrated there was a chance for widespread, mainstream appeal within previously geek genre markets. When DC decided to re-enter the realm of TV after the conclusion of Lois & Clark: The New Adventures of Superman in 1997, they decided to stick with the Buffy aesthetic, which is how we got Smallville. With Smallville’s success, WB wanted to create a sister show that was more female centric as they’d had a lot of success from that mold with Charmed. In 2002, they created The Birds of Prey, one of my all time favorite superhero shows.