Guy Ritchie is an English director who first broke onto the
scene in the ‘90s with a pair of hard bitten but quirkily delightful crime
comedies called Lock, Stock, and Two
Smoking Barrels and Snatch. His style was very much in the wake of
Tarantino and Robert Rodriguez coming into cinema and infusing it with
professional level panache wedded to a passionate love for grindhouse
schlock. Since then, however,
Ritchie’s kind of fallen into the background, spending nearly a decade doing
nothing but being Madonna’s husband.
Even his 2008 return to form with RocknRolla
went virtually unnoticed and unimpactful on his future career. Since then Ritchie has successfully
followed the route of a lot floundering auteurs such as Bryan Singer or Kenneth
Branagh by transitioning into a sought after blockbuster director.
Ritchie’s shot at the big time was 2009’s Sherlock Holmes with Robert Downey Jr.
and Jude Law, the film that actually started the Sherlock Holmes craze that
persists to this day. Even then Sherlock Holmes was kind of a forgotten
blockbuster and more than a little inert, there’s a good reason Sherlock Holmes
didn’t blow up the nerd consciousness till Bennedict Cumberbatch slipped into
the role a year later. Since then
Ritchie’s follow up failed to find a significant audience but he’s still sought
for blockbusters with his Man from
U.N.C.L.E. remake coming later this year and Knights of the Roundtable: King Arthur slotted for next
summer.
Knights of the
Roundtable: King Arthur is the movie I’m talking about today as the first
set pics of Charlie Hunam as King Arthur have finally started to filter
through. If Guy Ritchie’s career
is baffling I understand Hunam’s career even less, he’s one of those curiously
serviceable but not really impressive actors who made it big on cable TV and
lucked into a shot at the big time.
He was alright in Pacific Rim
though ended up really subsumed by every other character in the movie and it
seems so far his best career move has been dropping out of the Fifty Shades of Grey movie we’ve all
agreed to pretend didn’t happen.
As King Arthur he’s so far looking fairly lost and
unimpressive, not helped by his very steely modern features. Still that can work in a
blockbuster. More often than not
in a blockbuster film you need a kind of neutral lead to help the audience
vicariously enjoy the thrills while the burden of being cool and interesting
falls to the supporting cast. Knights of the Roundtable: King Arthur
is intended to be the start of a WB Arthurian shared universe because Warner
Brothers still isn’t convinced that Batman
v. Superman: Dawn of Justice will really land enough to support a DC Comics
movieverse.
It’s still unclear how much of Ritchie’s patented blend of
action comedy will be present here, to say nothing of his quirky character
introductions and stylish rapid editing.
Even Richie’s bad films can boast some directorial flourish like the Sherlock Holmes films or creative set
design like Revolver but I'm honestly
worried we won’t see either in King
Arthur. The visuals so far
look more in line with the forgotten Clive Owen King Arthur film from 2004 that attempted to be a historically
accurate telling. In these set
pics it seems fairly clear Ritchie is grounding his visual tropes in the realm
of Game of Thrones.
Game of Thrones
has been sneaking into fantasy fiction since 2012 with Snow White and the Huntsman and Vikings
and now, between this and The Last Witch
Hunter it seems to have come to thoroughly dominant this genre like Lord of the Rings did a decade ago. King
Arthur is probably the most egregious iteration of this though given Hunam
seems to be wearing Jaimie Lannister’s costume and as far as I can tell is
meeting with Melisandre in this last pic.
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