Edited by Robert Beach
Captain America: Civil War looks to have an increasingly insurmountable task placed before it. At first, the question for Cap 3 was merely whether or not it could maintain a solid box office in the wake of Avengers 2. Then the question became about whether or not Captain America could suitably stand-up to Batman and Superman. Next, came the reveal that they were adapting Civil War and the question became about maintaining focus on Captain America in a film with a ballooning roster as well as whether or not audiences actually want to see Marvel superheroes fight each other instead of the bad guys.
Now the big question looming over Captain America: Civil War is whether or not it can win back the Marvel fans put off by the instability of Age of Ultron while managing all the other issues floating around the film. More and more this third installment has become a sort of herculean task for Marvel and Captain America in general, but no one’s really touched on my central question for the film: how will it manage to adapt a comic that’s aged incredibly poorly?
Captain America: Civil War looks to have an increasingly insurmountable task placed before it. At first, the question for Cap 3 was merely whether or not it could maintain a solid box office in the wake of Avengers 2. Then the question became about whether or not Captain America could suitably stand-up to Batman and Superman. Next, came the reveal that they were adapting Civil War and the question became about maintaining focus on Captain America in a film with a ballooning roster as well as whether or not audiences actually want to see Marvel superheroes fight each other instead of the bad guys.
Now the big question looming over Captain America: Civil War is whether or not it can win back the Marvel fans put off by the instability of Age of Ultron while managing all the other issues floating around the film. More and more this third installment has become a sort of herculean task for Marvel and Captain America in general, but no one’s really touched on my central question for the film: how will it manage to adapt a comic that’s aged incredibly poorly?



