Week of Review - Wolverine & the X-Men

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The late 2000s were an unkind time for the X-men franchise.  Specifically, I’m talking about the film side of the X-Men offerings as the comics were actually fairing really well back then.  The movies had completed their trilogy with the spectacular failure that was X-Men: The Last Stand and moment was quickly slipping away from the series as the decade dwindled.  Meanwhile, in the comics, the X-Men had undergone a radical reinvention since the events of the 2005-2006 stories House of M and Decimation. 

Mutants were suddenly an endangered species with barely 100 left alive, Cyclops had become a militant mutant leader and founded his own rogue nation in the San Francisco Bay called Utopia.  Even the Ultimate Comics line was in a fit of bizarre storytelling under the banner of Ultimatum, a mega-event where Magneto killed most of the Ultimate superheroes including Xavier, Cyclops, Captain America, Wolverine and more.  It was a strange time and Wolverine and the X-Men really reflect that particular strangeness.  

Cover Story - Top 10 Sentinels Covers

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This coming Monday marks the premiere of The Gifted, a new series from Fox tying into the X-Men mythos.  The X-Men have honestly kind of struggled for modern relevance, as the Avengers became Marvel’s moneymaking brand, which has always struck me as odd.  I mean, we live in an age of mass struggle by marginalized groups for basic human rights- that’s always been the X-Men’s greatest element.  It’s just hard to think that in an era of Black Lives Matter, the Refugee Crisis, the Mexican Border Wall, Muslim travel ban, ICE, and the struggle for Trans rights the X-Men can’t find a foothold.  

The Gifted looks to change that by zeroing in on the X-Men’s most topical bad guy- the Sentinels, basically a domestic anti-mutant drone army.  When they were created that particular idea sounded a lot more like science fiction than a real policy that’s probably just around the corner but regardless let’s dig into X-Men history to see why these big purple robots have always been so enduring. 

Panel Vision - Guide to the X-Men Multiverse

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One of the interesting things about the X-Men franchise at this moment in time is how much it’s ended up eschewing the shared universe format promoted by Marvel.  Instead, X-Men has adopted a sort of multi-continuity approach, in a manner that’s only growing more extreme.  Both Deadpool and the upcoming Logan take place in no other continuity than their own and, so far, it seems the TV show Legion is a unique continuity all its own as well.  

This is actually fairly common for the X-Men comics as the X-Men are major players in the realm of altered timelines and parallel universes.  So far only a couple have filtered into the movies but, given everything we’ve seen, I wouldn’t at all be surprised if things like Mojoworld or Age of X were on the horizon for the X-franchise.  So, if you don’t know what either of those things are here’s your guide to the X-Men multiverse. 

Logan Trailer Analysis

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I’ve made no secret of the fact I don’t like the X-Men films.  What’s more, I’ve also made it pretty clear that even though I enjoy the original Chris Claremont, John Byrne, Dave Cockrum, Louise Simonson, and Jackson Guice comics I’ve had a lot of problems with the core metaphor and overall quality of the X-Men comic mythos.  In the midst of all that bile I haven’t really address the big angry elephant in the room that is Wolverine.  I’m hard pressed to think of a character that looms larger in the realms of Marvel history than Wolverine. 

He’s been on nearly every superhero team, had countless solo comics, and spawned a media merchandising empire that, for a time, was a rival of the Batman’s.  Personally, I’ve never actually seen the allure.  Don't get me wrong, I like Wolverine as part of the X-Team dynamic, but his solo series have never seemed as interesting or mature as they’re often meant to be, and his movies always come off as squandered potential…until Logan, because this film looks amazing. 

Brie Larson Cast as Captain Marvel

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Edited by Robert Beach

As we enter our 8^th year of Marvel-dominated blockbusters and news cycles, the tide is slowly turning into the house of the Avengers built. This particular ball got rolling a few years ago after Avengers became a bonafide hit and definitively closed out phase 1. It turned out phase 2 was just going to be more of the same with some space characters thrown in.  

The big trend of the moment has become a majorly increased demand to see greater representation and diversity from Marvel studios seemingly unstoppable hit-making machine. This particular campaign has only gotten more intense over the past three years. Stuff like Jessica Jones proved a major hit while Marvel’s Dr. Strange and Iron Fist incurred ire over their whitewashing and cultural appropriation.  

This year, Marvel seems poised to turn things around with Chadwick Boseman’s Black Panther emerging as the breakout character of Captain America: Civil War, and Luke Cage poised to be the next big Netflix hit.  Now, in the wake of San Diego Comic Con, Marvel takes their next big leap forward with the announcement that their first lead woman superhero, Captain Marvel, will be played by Brie Larson.

 

Panel Vision - X-Men: Age of Apocalypse

Edited by Robert Beach 

s I write this, X-Men: Apocalypse is set to underwhelm the world as the latest installment of the shockingly subpar X-Men franchise. While, simultaneously, CW’s excellent The Flash show has delved into the well of madness and disappointment that is time meddling and the Flashpoint event comic. Throw in the Captain America’s turn to Hydra and the ongoing launch of DC Rebirth and it all adds up to a swirling cocktail of public conversation towards retcons, reboots, time travel, event comics, the X-Men, and Apocalypse. My point is, there has never been a better time to dive into the well of madness that is X-Men: Age of Apocalypse. 

Panel Vision - Civil War

Edited by Robert Beach

Captain America: Civil War looks to have an increasingly insurmountable task placed before it. At first, the question for Cap 3 was merely whether or not it could maintain a solid box office in the wake of Avengers 2. Then the question became about whether or not Captain America could suitably stand-up to Batman and Superman. Next, came the reveal that they were adapting Civil War and the question became about maintaining focus on Captain America in a film with a ballooning roster as well as whether or not audiences actually want to see Marvel superheroes fight each other instead of the bad guys. 

Now the big question looming over Captain America: Civil War is whether or not it can win back the Marvel fans put off by the instability of Age of Ultron while managing all the other issues floating around the film. More and more this third installment has become a sort of herculean task for Marvel and Captain America in general, but no one’s really touched on my central question for the film: how will it manage to adapt a comic that’s aged incredibly poorly?