If you liked this article, please like us on Facebook or follow us on Twitter and please consider Donating to keep the blog going
Earlier in the week I mused on the way vampires didn’t truly survive their popular peak during the transition years from the 2000s to the 2010s. I considered making a similar opening but about werewolves but when you get down to it, I can’t say werewolves were ever as popular as vampires. The biggest standard bearer for the werewolf genre in the modern era is probably Teen Wolf and good though that show is I had to check to make sure it was still ongoing. My point is that it didn’t come with the same impactful popularity as Twilight/True Blood/Vampire Diaries.
Earlier in the week I mused on the way vampires didn’t truly survive their popular peak during the transition years from the 2000s to the 2010s. I considered making a similar opening but about werewolves but when you get down to it, I can’t say werewolves were ever as popular as vampires. The biggest standard bearer for the werewolf genre in the modern era is probably Teen Wolf and good though that show is I had to check to make sure it was still ongoing. My point is that it didn’t come with the same impactful popularity as Twilight/True Blood/Vampire Diaries.
No, the true last hurrah for the werewolf was the ‘70s, when films like American Werewolf in London were redefining the subgenre. In that spirit and because I want to double cash-in on Underworld: Blood Wars, I’m taking a look at Marvel’s big hit werewolf book of the era- Werewolf By Night. This was seriously one of Marvel’s most successful horror comics alongside Tomb of Dracula, running about half the decade and spawning characters that persist to this day like Moon Knight. It’s a fun dive into the weird blend of comic book spookiness, early horror-xploitation aesthetics, and superhero storytelling that we’re going to honor here today.