One of the great struggles of the modern geek age has been
DC Comics continued quest for mainstream interest and relevance. This battle has been raging more or
less continuously since 1986 when The
Dark Knight Returns and Watchmen
hit stands and transformed the comics landscape forever. Since then DC has been desperately
working to claim permanent cultural dominance through movies, TV, games, and
all manner of other methods.
This has come with obvious ups and downs but recently
they’ve hit something of a major snag.
While Marvel launches themselves forward with hip new comics that
showcase diversity and accessibility DC has floundered in numerous reboots and
branding initiatives along with some fairly bad film failures like Green Lantern and Man of Steel.
The only place DC seems to be winning its cultural battle is
on TV as Arrow and Flash have cemented themselves as major
superhero hits alongside blossoming success like Gotham and Supergirl and
upcoming shows like Lucifer, Preacher, and Legends of Tomorrow. Even
though Marvel has its own successful TV shows and Image has tested the
television waters a number of times this is where DC has really planted its
flag. So, I guess it then makes
sense that they would try and wed their new success to their old success, by
which I mean of course a Watchmen TV
show.
Though nothing has been confirmed yet Zack Snyder has met
with HBO about possibly producing a Watchmen
TV show. Obviously this is still
very earlier days so it’s unclear in what capacity this show will work. It’s possible that they’ll adapt the
controversial and unpopular Before
Watchmen comic minis from a few years ago if the idea is that the show will
work in tandem with Snyder’s underwhelming film adaptation from 2009. I find this idea honestly pretty
likely. Even though Before Watchmen faded from collective
consciousness with incredible speed it’s the perfect concept for the kind of
adaptation HBO almost certainly desires in that it’s art-esc. The content of Before Watchmen isn’t actually artistic or controversial when you
get down to it, it’s basically just so much up-jumped fan fiction despite the
high caliber of writers and artists involved. That was to be expected though, Before Watchmen was an exercise in soulless corporate branding, using
the recognizable trappings of the Watchmen
brand to lend credibility to a fairly bland product. I get the sense that’s exactly what HBO wants here,
something to give the illusions of depth, intelligence, and art without
actually needing to challenge their viewers in a meaningful way. Additionally going off of Before Watchmen would allow them to make
the show a contemporary period piece (IE set in the ‘60s and ‘70s,) a genre
that’s open territory now that Mad Men has
passed on.
Alternatively this could be meant as a clean slate, a fresh
telling of the story on its own merits with Snyder only attached because he’s
been awkwardly forced into the role of creative head of the DC entertainment
unit. This strikes me as the less
likely but kind of more horrifying possibility. If it is the case it’s actually a pretty good sign for HBO,
given this means they’re looking to adapt something that’s at least
semi-challenging and wouldn’t be an easy task. However, it’d be terrible for DC because it really would mean
Zack Snyder is now helming the creative controls and he’s honestly a terrible
choice for that job.
Now to be clear I’m not saying Zack Snyder is a bad a
director, in fact I think he’s actually a brilliant cinematographer with a
unique eye for spectacle and action that sets him apart from the pack in a big
way. However, much like fellow
director Neil Blomkamp Snyder has shown himself to be an incredibly limited
storyteller whose original vision seems murky at best. Admittedly it’s a bit unfair that the
speed of modern film consumption and digestion now basically demands
storytellers arrive fully formed but at the same time Snyder’s been in the game
for a decade or so now. Unlike
Blomkamp he’s had time to grow and develop as a storyteller and just really
hasn’t. Maybe the increased
responsibility will give him more to work with but for right now he’s being
asked to produce great work with the wrong tools.
It’s also possible this will be new Watchmen material, imagining some kind of post-Watchmen universe.
This strikes me as the least likely thing to occur given how peaceful
things were left at the end of Watchmen
but I’d actually be very interested if they went this way. Something I’ve always disliked about Watchmen in a fan context is the insane
levels of fan loved heaped upon the twin lunatic murderers of Rorschach and The
Comedian and doing a Watchmen sequel
would cut them out of the story altogether. Still it’s easily the riskiest maneuver given how much it’d
have to rely on the audience knowing the events of Watchmen. What’s more
there’d be no tested safety net to work from and inform the series.
That last sentence is honestly the vibe I get most from this
project, that whatever crystallizes out of this unholy union is going to end up
safe, corporatized, digestible matter being passed off as risky and
artistic. It’s that hope that if
they follow this tested plot and these tested characters the end product will
be incredibly moving and revolutionary because “hey it worked in comic form so
it should work for comics too.”
This is the same attitude that informs the inordinate amount of cheap
slasher remakes and it is now and forever will be gutless, cheap, and wasteful. Even as someone with a complicated
relationship with Watchmen I’ve
always respected the comic and that’s because it was the opposite of this kind
of branded claptrap, Watchmen was a
bold and work intensive labor, making it into an HBO branded, cross-promotional
DC show is just cowardly and lazy.
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